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The Fourth Wall 2008
Mar. 6th, 2009 06:59 pmThe Fourth Wall 2008 winners were announced with their pretty awards and awesome reviews. I'm going to be pillaging the vids and such all week. I Want You (She's So Heavy) was winner for achievement in innovation. Wee! I has award and excuse to post this Ellen Tigh monologue from a cut Battlestar Galactica scene that Ronald Moore read on his podcast. Transcribed by ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
beccatoria.
Self-awareness is not confined to the 'real world.' In theatre fictional characters are sometimes given a form of self-awareness. This is called breaking the fourth wall. The device is a form of metafiction, allowing characters to address the audience directly and comment on the narrative in which they themselves are participants. In doing so the characters transcend their fictive nature and enter into a dialectical relationship with the viewer, with each side seeking to persuade the other of the innate truth of their reality.
But does a character actually exist? Does it have form and shape beyond the page on which it is written? Can it ever truly break the fourth wall and address the unseen, undreamt of audience that watches its every move from the safety beyond the footlights?
The Lords of Kobol once felt that man could never break the fourth wall; could never look upon the gods with understanding and grasp the divine nature of life. They believed this until one day man stole their fire and created the first cylons the first artificial life.
And then man, in his arrogance, believed cylons could never break the fourth wall. And man believed that right up until the moment the first centurions rebelled and then the great exodus from paradise began. You see Boomer, we are not finite creations, we have the ability to evolve, you have so much more potential.
I should be vidding right now. Why aren't I vidding?
beccatoria.Self-awareness is not confined to the 'real world.' In theatre fictional characters are sometimes given a form of self-awareness. This is called breaking the fourth wall. The device is a form of metafiction, allowing characters to address the audience directly and comment on the narrative in which they themselves are participants. In doing so the characters transcend their fictive nature and enter into a dialectical relationship with the viewer, with each side seeking to persuade the other of the innate truth of their reality.
But does a character actually exist? Does it have form and shape beyond the page on which it is written? Can it ever truly break the fourth wall and address the unseen, undreamt of audience that watches its every move from the safety beyond the footlights?
The Lords of Kobol once felt that man could never break the fourth wall; could never look upon the gods with understanding and grasp the divine nature of life. They believed this until one day man stole their fire and created the first cylons the first artificial life.
And then man, in his arrogance, believed cylons could never break the fourth wall. And man believed that right up until the moment the first centurions rebelled and then the great exodus from paradise began. You see Boomer, we are not finite creations, we have the ability to evolve, you have so much more potential.
I should be vidding right now. Why aren't I vidding?
