The source is so shiny I clipped far more than I needed because it was all so pretty.
I love the color shift at 0:51; it's quite foreboding and is the perfect way to acknowledge the shift in music and tone. I'm glad that worked because I was worried I got the coloring wrong and it would be icky.
The segment immediately following that contains an absolutely stunning use of overlays and crossfades. My eleven layers were a bit extensive...
Thank you so much. When I edited the different scores together I tried to make them all flow and I was worried it wouldn't all flow and be choppy.
I will say the camera movement over the audio cue at 2:03 was particularly inspired. Amazing work! I have a sick love of that shot.
This will probably go down as one of my favorites from you. Yay!
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Date: 2008-01-03 10:43 pm (UTC)I love the color shift at 0:51; it's quite foreboding and is the perfect way to acknowledge the shift in music and tone.
I'm glad that worked because I was worried I got the coloring wrong and it would be icky.
The segment immediately following that contains an absolutely stunning use of overlays and crossfades.
My eleven layers were a bit extensive...
Thank you so much. When I edited the different scores together I tried to make them all flow and I was worried it wouldn't all flow and be choppy.
I will say the camera movement over the audio cue at 2:03 was particularly inspired. Amazing work!
I have a sick love of that shot.
This will probably go down as one of my favorites from you.
Yay!