kiki_miserychic (
kiki_miserychic) wrote2008-12-18 12:31 am
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vid - Ding! Dong! - Terminator: The Sarah Connor Chronicles
vid title: Ding! Dong!
music: Sufjan Stevens
source: Terminator: The Sarah Connor Chronicles
duration: 2:59
summary: Sarah Connor should be dead.
notes: Thanks to
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One mother rises
Pulling the sheets from the crib
All the disguises
Wandering stars, what she did
All the king's horns
All the king's men
Saddled and worn
Raise the dead
Holy, an infant
He came to raise up the dead
Wandering wise men
What did you bring to his bed?
Shapeless surprises
Incense to bring to the dead
Nothing is wrong
It's what she did
All the king's horns
And the king's men
Nothing is wrong
It's what she did
All the king's horns
And the king's men
Nothing is wrong
It's what she did
All the king's horns
Raise the dead
Nothing is wrong
It's what she did
All the king's horns
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I guess you can have edited highlights of my additional comments as feedback instead. :)
I think the textured effect really strengthens the vid, there's something about the feeling of age it adds that brings the burial imagery and the sense of distance between Sarah and those close to her right into the medium of the vid.
You make fabulous use of the clips from 213. The episode was really just made for your vid, no? The spinning knife... *shivers*. And the timing at around 1:40, with all the heads turning, is absolutely stunning.
I love depressing Christmas vids. I love Sarah in this vid; I love how you take the distance that's developing between her and the people she is supposed to be closest to and protecting and show how central to her character it is and has always been. I love the looming danger of John and Cameron, in John's brooding resentment and Cameron's smiling violence. I love how close Sarah lives to death, how this vid is the answer to the question Eileen asked in 213 about whether she feels the fear any more. I feel privileged to have had however small a hand in it.
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In my earlier draft, the grave and death imagery wasn't hitting the right notes, so I added a tinytiny 3% color burn layer over the whole vid of the grave in the first clip. I hope it meshes better with the tone of the music.
As I said before, I'm positive that tptb gave me the last episode because they knew exactly what my vid needed. My eyes went huge during some scenes because I knew the perfect place to lay certain shots in.
I can't make a happy holiday vid. I tried last year and it didn't work either. There's always next year!
Sarah is such an amazingly layered and complex character. I still can't get over how the vid can be nearly summed up by the quote from Eileen in the trailer: “You’re a mother. You’re a seeker. You’re a soldier. You’re everything but you’re nothing.”
You and
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I'm missing some of the nuances because I'm about three or four episodes behind on TSCC (I plan to catch up over Christmas and definitely rewatch this vid when I am) but even so, you capture like...everything about Sarah's character so deftly and creepily.
It might be a Christmas song, but the messiah/mary parallels are so riddled through the show it actually just fits regardless of the time of year. And wow, this is an amazing song.
I think one of my favourite things about it is how it manages to blame Sarah for everything that's happened, while not blaming her at all? Is that even clear? "It's what she did." Which it is. All of this is because of what Sarah did. But nothing is wrong either because what else could she have done?
My personal response to it was also that I liked how John was kind of absent. I mean, he wasn't because everything Sarah does is about him. But he's the "infant" the future promise. He's going to come back and raise up the dead. But that's distant and abstract and he's not really real yet; he's just an idea Sarah has. That compels her into doing...what she did.
And I really need a TSCC icon...
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So much of Sarah's world is influenced and dictated by her relationship with John, yet it was so easy to have John not in the vid unless I needed him.
And I really need a TSCC icon...
I need a good Sarah one.
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Also, I really liked what you did with clip speed. :)
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Second: I think I just spoiled the hell out myself, but I can't bring myself to mind because that was terrific. Scary and brilliant and strong.
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Thank you. Too bad it spoiled you though.
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I find this vid very powerful at charting the uneasiness with which Sarah views Cameron but also her own self--and the reflections on self that Cameron triggers. I loved your use of the dream imagery (which I found kind of tedious on the show, I admit!) and thought the song was an inspired choice. The semi-religious tone encourages reflection on all the religious metaphors in the show, and the lyrics (like 'kings' men') remind us of John's future role.
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I have a major thing for dream sequences in shows and movies. Some of my favorite episodes are the dream ones, like Buffy's Restless. I think I'm drawn to the idea of mucking about in someone's brain.
Listening to the song, it bordered on perfect and absolutely wrong, so I'm glad it worked for you. I was really debating if it worked or not.
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It is FAVOURITE.
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wait, did I say that out loud?
it's just that you captured so viscerally the perverse family dynamics of a show about Sarah Connor as mother. SO MUCH WRONGNESS. the vid is mesmerizingly edited and also difficult to watch because it immerses you in Sarah's deranged fantasies. I love when she looks at herself! perfect perfect song and mythology for this.
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Thanks. I'm very into Sufjan Stevens' Christmas album because it's more creepy than anything.
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Everything fits together perfectly. I love how you show so much of Sarah Connor and how you used the three dots and interpreted them.
So again, wonderful job. You're a true artist and i love your work!
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Sarah is an amazingily interesting and layered character. The three dots are part of the arc this season, but I wanted to use them in a more personal way for Sarah.
Once again, thank you.
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The intercutting of Sarah not going in and walking away from John's door with Cameron going into John's room was my favorite part. There's such a sense of foreboding about Cameron and John in this that I love. Okay I just love the whole thing. Gorgeous job, as always!
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I owe a lot of the tension to the music itself and the way Lena Headey holds herself when she's in character. There's so much in her face and body language.
The intercutting of them in the hallway felt like the perfect visual way to show how their relationships evolved.
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Love the pace of the editing, feels right for the song, and the interweaving of her nightmares and the nightmare reality of their mission. Great job. Also great to see focus on Sarah.
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Thanks for commenting. The song felt right for Sarah. She's such an interesting character on an amazing show.
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*memmed*
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mediafire (http://www.sendspace.com/file/qkx6x4)